320 Royalty-Free Audio Tracks for "Blues Harp"

Twelve bar blues in B, block chords. Created by Hyacinth (talk) 09:25, 17 December 2010 using Sibelius 5.

Amazing Grace, sung by the Sacred Harp Singing Society, directed by "Uncle Bill" Hardeman and recorded by Alan and John Lomax. Recorded at the Sacred Harp Singing Convention in Birmingham, Alabama.

New Britain: C. M. ("Original Sacred Harp") - The first sound recording of the song "Amazing Grace"

Quiet, jazzy blues riff.

Près de la table auf Harfe

Xylo auf der Harfe

Beispiel étouffer Harfe

Klopfen auf der Harfe

Pedal Slide auf der Harfe

Eine Tonleiter im staccato auf der Harfe

Pincé auf der Harfe

Fingernagel Harfe

Glissando in As auf der Harfe

Beispiel enharmonische Verwechslung auf der Harfe

RiffWorks medium boogie experiment

Train (harmonica) performed at Clemens State Farm, Brazoria, Texas, on April 16, 1939.

Example for a simple straightforward walking bass line over a 12-bar blues scheme

Sixteen-bar progression - repeating variety: third section's first half repeated twice.

Big Lou Jammin' and Mixing to R8SlowShuffle (see other contributions)

Eight bar blues progression boogie woogie bassline on middle C.

Recording of "Royal Garden Blues" by Mary Stafford and Her Jazz Band, from the original 78rpm disk

London Bridge song played with Jew's harp by Alexander Nevzorov

Kamus

This is a soundsample for a jew's harp made by me! you can all do what u want with it! its free! :-)

C-Dur Glissando auf der Harfe

Livery Stable Blues by the Original Dixieland Jass Band, recorded on 26 February 1917. It was released on the Victor label on 7 March 1917, and was the first released jazz recording. 78 RPM, transferred to .ogg from a .mp3 file from The Internet Archive. Die erste kommerzielle Jazz-Aufnahme: Livery Stable Blues, der Original Dixieland Jass Band, von 1917. Le premier enregistrement commercial de jazz : Livery Stable Blues en 1917, par l’Original Dixieland Jass Band. Italiano: La prima registrazione commerciale di musica Jazz: Original Dixieland Jass Band, Livery Stable Blues, del 1917 Norsk nynorsk: Jazz-songen «Song from a Cotton Field» av Bessie Brown

Livery Stable Blues by the Original Dixieland Jass Band, recorded on 26 February 1917. It was released on the Victor label on 7 March 1917, and was the first released jazz recording. 78RPM, transferred to .ogg from a .mp3 file from The Internet Archive.

Most common "blues scale".

The song "Windham" by Daniel Read; piano reduction, altered to Dorian mode as an illustration of the use of this mode in Sacred Harp singing Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain.

This 1920 record is the first commercial recording of blues music by an African-American singer: "Crazy Blues" was composed by Perry Bradford for Mamie Smith in 1920, and sold a million copies in its first year.This is Okeh-4169 (7529 take C) Эрзянь: This 1920 record is the first commercial recording of blues music by an African-American singer: "Crazy Blues" was composed by Perry Bradford for Mamie Smith, and sold a million copies in its first year. Crazy Blues – blues w wykonaniu Mamie Smith z 1920 roku.

Akkordglissando auf der Harfe

Original Dixieland Jazz Band: "Saint Louis Blues" (1921)

Livery Stable Blues by the Original Dixieland Jass Band, recorded 26 February 1917. It was released on the Victor label on 7 March 1917, and was the first released jazz recording. 78 RPM, transferred to .ogg from a .mp3 file from The Internet Archive. This version has been edited to reduce the hiss. Українська: «Livery Stable Blues» від «Ориджінал диксиленд джаз-банд», записаний 26 лютого 1917 року, перший випущений джазовий запис.

Original Description: Song 95 from The Sacred Harp, performed by New Harp of Columbia at Headricks Chapel, Wears Valley, Tennessee.

St. James Infirmary performed by the Stellar Brass of the United States Air Force Academy Band. Track 1 from Full Circle (2011). Larry H. Lang, conducting.[1][2][3]

Not On The Bus by U.S. Army Blues

Introduction by U.S. Army Blues

Bayou Farewell by U.S. Army Blues

Walk That Dog by U.S. Army Blues

Main Stem by U.S. Army Blues

Dance Of The Stargazer by U.S. Army Blues

Barbara by U.S. Army Blues

Oginiland by U.S. Army Blues

Kelli's Number by U.S. Army Blues

Stardust by U.S. Army Blues

BugaBlue by U.S. Army Blues

St. Louis Blues March performed by the Shades of Blue jazz ensemble of the United States Air Force Band of Mid-America. Track 5 from Heroes Lost And Fallen (1997). Recorded January 28-31, 1997 at the Scottish Rite Cathedral, St. Louis, Missouri. Major Sam Pohl, conducting.[1][2][3][4][5]

Fantasia or Norma. Mira, o Norma; arr. ; a harp solo by Francis J. Lapitino, Victor 17929Français : Fantasia ou Norma. Mira, o Norma, un solo d'harpe par Francis J. Lapitino. Enregistrement publié en 1915 sous l'étiquette Victor (no 17929).

Recorded tascam dr-05xsfx conversion edited: adobe + fxs + mastered.

Folk song: "Lost Train Blues"